Between 2007 and 2017 I photographed passengers in buses and trams, drawn to a particular state that appears when people are transported — a suspension between departure and arrival, when the body continues its route while attention wanders elsewhere.Public transport once held a quiet, shared reverie. People watched the city slide past, followed reflections in the glass, rested, or remained folded into their own thoughts. Sometimes the anonymity offered by the large city allowed couples small gestures of closeness — a shoulder leaned upon, a whispered word, a kiss — brief tenderness sheltered inside the moving crowd.
During that decade I felt this interval slowly changing, as scrolling began to occupy the same empty time.
What began as observation gradually became a record of disappearance.
The individuals are not portrayed as characters but as presences temporarily detached from their surroundings — sometimes attentive, sometimes withdrawn, sometimes absorbed in each other.
An instant picture aspires to tell a long story, to show things that are not actually inside the frame, that are not there and then. Sometime it succeed in this, even if the long story is just a fiction.
Here I tried to build fictions that look like instant pictures.
Strada Sperantei, 2008Clinceni, 2008Eternal Flame, 2008Paralia Fakistra, 2009Cismigiu Garden, 2009Strandul Regie, 2009Fantana Zodiac, 2009Cascada Urlatoare, 2009Strandul Regie, 2009Strandul Regie, 2009Lipscani 1, 2008Lipscani 2, 2008Mylopotamos Beach, 2008Bucegi, 2009Clinceni, 2008Agia Saranda Beach, 2010Berlin, 2008Berlin, 2008Mylopotamos Beach, 2010Cismigiu Garden, 2011Berlin, 2008The Photographs I Wish I Taken, 2/3Gallery, 2024, instalation viewThe Photographs I Wish I Taken, 2/3Gallery, 2024, instalation viewThe Photographs I Wish I Taken, 2/3Gallery, 2024, instalation viewThe Photographs I Wish I Taken, 2/3Gallery, 2024, instalation viewThe Photographs I Wish I Taken, 2/3Gallery, 2024, instalation view