This series consists of generic portraits of ordinary citizens like myself, for whom safety is synonymous with normality. These are individuals who have not experienced violence directly and who live with the implicit belief that violence belongs to others, somewhere distant and abstract. The works originate as extremely small drawings, intimate and fragile in scale. As each drawing is subjected to a gradual process of physical destruction, the stages of this transformation are carefully photographed. The resulting images are then printed at a very large scale, amplifying both the material vulnerability of the original drawings and the latent tension between perceived safety and underlying fragility.
This photo series started in 2015, is a non-scientific and non-artistic research of the difference between the image “given” by the mirror and the one “given by the camera” of the people who agreed to participate.
For this I built a device in which the camera “sees” through a mirror that can then be removed.
The participants were asked to take two self-portraits: one in which they see themselves in the mirror and one in which they only see the camera.
The one on the left is the image in the mirror.
