The starting point for “Still Untitled” is my long-standing practice in photographing artworks, guided by the principle that a photograph of an artwork should not be considered an artwork itself.

For this series, I created unstable and/or ephemeral objects and structures solely to be photographed. These objects and structures are constructed directly in front of the camera lens and are made in such a way that they achieve three-dimensional coherence only in their two-dimensional photographic representation.

It’s a reversed process. In art reproductions, the photograph aims to hide its presence, functioning like a window through which the artwork is viewed. In these photographs, the subject is volatile, and its representation is the artwork.